The fourth section of House Made of Dawn is very brief, containing only two chapters, dated February 27 and February 28, 1952. Abel returns to Walatowa in time to care for his dying grandfather and perform the appropriate burial rituals. Having seen to this duty, he begins a ceremonial run into the dawn.
House Made of Dawn broke with mainstream Hollywood representations of Indians in using formal stylistic experimentation to depict interior states of a character from a tribally-specific worldview. The film, like the novel, dramatizes the psychological dislocation of the protagonist, Abel, as he confronts his traumatic history of encounters with non-Native society.
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N. Scott Momaday, in House Made of Dawn, tells the story of Abel, a young American-Indian who is trying to find his identity in the midst of two cultures, the Indian and American. In part, the story of Abel parallels the experiences of the author himself, who is a Kiowa Indian, has lived on several Southwest Indian reservations, and teaches in the English Department at the University of.